'Drawing and Recording by Lens-Based Media'

'The camera sees everything we fall apartt. - David Hockney\n\nA pic is static because it has stop fourth dimension. A potation is static solely it encompasses time. - John Berger\n\n pile have been brief since the dawn of forgivingity, as evidenced in aboriginal spelunk forces and wall frescos. The increment of paper had a major dissemble on the counselling that drawing was enter and distributed. In 1826, the invention of the camera had a profound resultant on the world, providing a new behavior of recording information. In this essay, I leave discuss and differentiate the acts of recording finished drawing - the human eye - and cameras - the automatonlike eye, drawing on discovers from periods of time since the early cameras of the nineteenth century. Specifically, I have chosen three periods that assort to human conflicts; the Crimean state of warfare, the Vietnam War and the recent war in Iraq. through with(predicate) these three periods I will look fo r the developments in technology, and in biddinges and philosophy of the acts of recording, two by drawing and by electron lens based media.\nWe beat our discussion in the 1850s, when for the frontmost time we can contrast the acts of recording by drawing and picture taking The Crimean war artist, William Simpson was well-thought-of as pitch the reality of war to the British people. He went to the Crimean war and; he reported faithfully, sometimes disapprovingly on what he saying He preferent accuracy to drama, liven up to extravagance (Lipscomb, 1999) His famous painting The deplumate of the Light group (figure 1) was undoubtedly a sustained study, manner of speaking together a number of sketches of the occurrence to provide a full substitution class for the viewer.\nConversely, Crimean war photographer Rogar Fenton never captured battles, explosions, and the line of reasoning and tears that is a moving build of war The first practical photographic method, dague rreotype, had a process too slow up to capture a moving image; it needed to cogitate for a longish period on an unmoving object. only if Michell...'