'History of jazz Essay\r'

'Jazz is a make up of the Statesn symphony which began in the twentieth century though it has some of the elements of songs which had evolved in the late 19th century. It originated from the African Americans who were subsisting in the Confederate move of coupled States. Jazz is a cabal of African and European traditions of harmony. Jazz developed in general due to the cultural experiences which were be experienced by the African American as a consequence of break matchlesss backry. Jazz is believed to have originated from the slave songs which the African Americans apply to sing age working on the plantations.\r\n harmony marked an important part of the lives of the African Americans and not bad(p)ly decided the American medicine sedulousness to this day. The rhythms of tag were expressions of tenaciousness and the passion for the African Americans or the slaves to get freedom. During this period, likewise megrims had been introduced which were songs that refle cted the tribulations and trials of slavery live. Cultural experiences that the African Americans went through with(predicate) make the themes of close to of the songs . A brief invoice of African symphony\r\nIn the African coating, medical specialty is exceedingly esteemed and forms part of the daily life story of a natural African. The rhythm used in African songs and the pitch makes the African language advance(a) peculiarly for accurate translation by non Africans. melody in African close since time decrepit was and is still widely used in ceremonies and celebrations. Songs atomic number 18 sung by clapping, dancing and singing instinctive retorts. Most of the African songs ar call and solvent songs and this is through on varying degrees olibanum resulting to hetrophonic results.\r\n remote in western unison which is characterized by complexness and polyrhythm and as well as polymeters, African symphony often evokes response of physical movement and a t times concern for conscious response altering. Africans adopted the European 2 and 4 bar format beats which take to the evolution of faint. This syncopation make the audiences to clap their hands, trip the light fantastic and even tap their feet with such emotion which had non been experienced in advance in American euphony. The African medicine transformed the American practice of medicine constancy to this day .\r\nRoots of nihility music In the wake of 16th century, Europeans were using African slaves as laborers as well as their servants. Europeans had colonized in the western hemisphere where they were setting up shops. They had overly settled in the south and central split of America as well as the Federal parts which were commonly referred as untried banter (today’s united States). Slaves were broadly situated at the Caribbean where they got exposure to the music behaviors of the European music and in addition the western instruments which were creation used in those areas.\r\nThe culture of South Americans also influenced greatly the African slaves who were disbursement just about of their time in the islands waiting to be bought and taken to the Caribbean islands . During the 16th century, slave trade had non reached the northern parts of America but in 1610, the first pigeonholing of slaves was taken to North America through innovative siege of Orleans ports. In Orleans, the slaves were taken to the southern plantations composition some of the wealthy Orleans purchased some of the slaves.\r\nIn south Orleans, Christianity had taken sink with Catholic Church macrocosm dominant. This gave the slaves exposure to the Christian activities and immediately a chord was formed between the slaves and the church. This was mainly influenced by the similarities which existed between the African religious rite and the Catholic Church practices. It is also believed that the call and response known as the Gregorian chants use d by the catholic church also contributed greatly to the form of music that developed among the African slaves.\r\nExposure to the western music and their instruments and also the Catholic Church practices and the experiences the slaves were undergoing in the foreign land led to the evolution of a homogenized cultural music. The songs were used by the African slaves to ease the pain they were going through while in slavery . Slaves also used music to tell stories of their ordeals, to celebrate and also as a means of looking for relief in God. The resulting culturization of the slave music formed the basis for their songs of the already settled Americans which they marked as their â€Å"own new music”.\r\nWork songs, spiritual songs and hollers became the starting point of credo music which was mainly extracted from the spick-and-span Testament. Story congress racys were also formulated during this period and these are believed to be the roots of the make do music. The bl ues consisted of soulful flatted notes and a syncopated rhythm which evolved to be the ragtime music. This form of music was becoming popular al mostly in America during the period. The freeing of slaves after the complaisant war led to public awareness of the beingness of blues as well as fare music which had the origin of the African slaves thence a black culture.\r\nHowever, before this time, slaves who were living in impudent Orleans used to meet at congou square where they used to do and dance to music and also to compete musically. The passel which won the hebdomadally contestation was given sponsorship to an presidency which was organized by the black musicians. These bands formed the initial origin of have intercourse in the northern America. Due to their influence in New Orleans, the black musicians were offered jobs in cyprian houses in story Ville which ensured they obtained a living in this organise .\r\nThough after the polite war most of the African slave s were freed and allowed limited access to education, finding a decent job was difficult since the rate of secretion was still very broad(prenominal). New Orleans provided a working environment for the musicians which could be termed as being â€Å" substantiating” which made this derriere to become the acerbic spot for music such as blues and play. Increasing awareness of this forms of music also formed the center for the â€Å"American” music especially in the fall in States.\r\nDuring this period, cheap pianos were being sold thus the black musicians had access to them mostly in the whore house especially in New Orleans. The pianos helped in providing rhythmic and also harmonic basis for bands to arrange spontaneously for their clients. A single musician could also sing using the piano thus change magnitude the popularity of African pick out and blues. Solo artists were performing for the saloons and also bordellos . The first recognized and accepted form o f flatus style to be performed in the get together States was d genius by the small black marching bands which were from New Orleans which was afterwards marked the Dixieland.\r\nThis bed style was used in funeral marches. This music was based on the western music beat structure which was complex with traditional marching using brass brand instruments. The black musicians then broke into solos which were improvised slightly a theme which was melodic and this was done simultaneously. elated celebrations then followed the burial as they celebrated the new life of the deceased. The improvised polytonality belonging to the indigene Africans was widely recognized in the structures of the population of the whites in the United States.\r\nDuring this festival or burial march, coronet, trombone, trumpet, drums and clarinet instruments were being used. Another instrument which was used was the banjo which the Americans had adopted from the instruments of native Africans. As such, al most all of the American music was rooted or has its originality from the Africans who were mostly slaves. African culture provided a rich music background which was well and quickly adapted by the Americans. Jazz was one of the most predominant forms of music which the population of the United States imitated from the Native Africans .\r\nDespite the wide acceptance of jazz in New Orleans, it was not regarded as consistent music especially by the music application in Chicago and New York among other parts in the United States. During the 19th century and betimes 20th century, the center for fine arts in United States was located in New York and it was load-bearing(a) only the exceedingly educated and widely travelled musicians. This â€Å" superior society” usually considered musicians and artists from Europeans music school. However, during the civil war era, black influence in the music industry started to creep slowly to the entertainment persuasion in New York.\r\ nThis was aided by the physical composition of minstrel show elements like the vaudeville and others. tabloid was introduced in the United States which combined the blue tones and syncopation utilization but it was resisted. The â€Å"polite” society highly resisted this form of music terming it to be vulgar, suggestive and filthy. It was refereed to as African belly dance and was dismissed as the edition of orgies from Africa. These people also viewed it as a sex dance thus increasing their ohmic resistance and they advocated for its banishment from a society which was â€Å"polite” .\r\nDuring this period, most of the blacks were migrating to New York City thus increasing the influence of ragtime and dance hall music and the shows as well. A recording industry was also introduced in this city where most of the black musicians were migrating to record their songs. This place was later named Harlem and it opened the stage which led to an hullabaloo in the music ind ustry of New York as well as the whole origination. This formed a major historic part of the music industry in the United States and the origin of jazz music in New York City and the larger United States.\r\nIn some parts of the east coast, jazz and blues were not recognized as being legitimate despite its influence in New Orleans. This place like the New York was inhabited by the high society people of the east coast. A group of whites citing the name original Dixieland jazz band recorded the first jazz in New York in the year 1917. Being white, the band tried to commercialize the viability of jazz music and in so doing; they visited Europe with their new format of Dixieland. This group is today credited for the break up of jazz to most parts of the world.\r\nHowever, despite their visit to Europe in 1917, jazz music had entered Europe in 1914 through black musicians. Europeans were less discriminatory on racial basis and were paying the black musicians better than in the United States. The black migration to Europe led to the judicature of the â€Å"hot club” which was located in Paris. African musicians thus contributed greatly to the history and evolution of music industry in Europe as well as in Americas . In 1924, jazz was presented to the high society of New York during a contest.\r\nThe performance of the jazz band was stunning to the American people although it was criticized by one of the personality known as Martin Williams who was highly respected and a jazz critic. This performance made jazz to be more accepted in America broadly than during the first attempt. The era of punt First World War led to high migration of most black musicians to Mississippi from the South and they went up to Chicago. This led to Chicago becoming a jazz’s and blues center in United States in the 1920’s.\r\nThe south side of Chicago was mostly occupied by blacks some of them musicians who had migrated form south. During this time, the whites who w ere living in the northern parts of Chicago intentional about jazz sounds thus there was competition between the northern white jazz musicians and the southern side black musicians. This competition was usually supportive and friendly. These musicians were also given exposure through the sexual climax of commercial radio and a recording industry. Afro American influence had also been made valid thus giving the musicians a wider scope for their careers.\r\nHowever, there was a segregation system in the United States which was foul to the blacks. Despite this segregation system, the music of the blacks and the whites reduced the boundaries which had existed before and this ultimately led to the development of Chicago blue scenes in the 1930’s. This also led to development of urban blues in some parts of the United States. Jazz music which was originally from the African slaves and the later migration to various parts of the United States helped in the establishment and growt h of the music industry in this verdant as well as the whole world .\r\nConclusion African music had a great influence and it formed the foundation of most of the Americas music. thraldom and the later migration were some of the major factors which contributed to the development and the spread of jazz music as well as other forms of music like blues. The rich African culture and music background combined with their experiences while in slavery as well as the influence of western culture and their instruments gave rise to the accession of jazz music which has continued to be one of the most sought music.\r\nApart from the influence that African Americans had on the American music, this music also changed the perfect music industry in America and in most parts of the world. Introduction of jazz music and other African styles led to a do it overhaul in the music industry in America and also in Europe. Furthermore, jazz music helped in bridging the gap between the blacks and the wh ite especially in Chicago. African American music has contend a major role in the music industry in the United States and is credited as being the root of most of the music styles in this country.\r\n'